Soft Collapse is the quietest work in this body of practice — but quiet is not the same as still. The coral tones dissolve into and away from each other. The painting holds collapse as an ongoing process, not an event.

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At 100 × 100 cm, this is an intimate scale by the standards of this practice, one that rewards closeness. It sits well in domestic spaces where large-format work would overwhelm, while carrying the same material weight and emotional depth as the larger paintings.

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