top of page
01
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
02
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
03
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
04
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
05
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
06
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
07
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
01
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
02
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
03
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
04
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
05
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
06
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
07
A layered blue abstraction that moves between density and fracture. White interruptions and dark voids create a visual rhythm of restraint, making the work feel charged, atmospheric, and unresolved in the best way.
- Held Breath by House of Piny — 100 × 120 cm abstract painting, Madrid
- Held Breath by House of Piny — 100 × 120 cm abstract painting shown in room context, Madrid (IA)
- Held Breath by House of Piny — 100 × 120 cm abstract painting shown in room context, Madrid (IA)
- Close-up texture — Held Breath, cement and acrylic abstract painting, gestural marks, House of Piny Madrid
- Close-up — Held Breath, cement and acrylic abstract painting, gestural marks, House of Piny Madrid (IA)
- Held Breath by House of Piny — 100 × 120 cm abstract painting shown with other paintings of the collection, Madrid
- Room context (with its twin) - Held Breath by House of Piny — 100 × 120 cm abstract painting shown in room context, Madrid
Held Breath
A study in movement and silence
100 x 120 cm
mixed media on canvas
Held Breath is built from accumulated layers of blue that press against each other without resolving. White interruptions break the surface — not as relief, but as further pressure. The painting doesn't breathe easily. It holds.
At 100 × 120 cm, this work demands proximity. It is the kind of painting that changes depending on the light and the hour
Unavailable
bottom of page