Field Memory is built around the tension between mark and ground — pink, green, lilac, and white gestures distributed across a surface that is never fully covered and never fully visible. The painting holds multiple moments simultaneously: marks made at different times and in different states, all present in the finished surface.

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This is a work that changes as you move around it and as the light shifts across its surface. At 100 × 160 cm, it has strong vertical wall presence, commanding without dominating.